I was just about to make the doll hospital page about compo restoration
when the Myro company went out of business.
Myro made the Epoxy Wood that I showed on the "What I Use" page.
Well, I couldn't very well show you how I restore compo with a product
that was no longer available!
So I set out looking for something just as good.
I found one that was more a paste than a putty, was black and took a whole day to cure.
I found another that set up in 4 minutes and didn't stick to anything.
Then there was the one that smelled like cookie dough and was just about a useful.
So I went web surfing for "Epoxy Putty" and found lots of references to a product made in Wales in the United Kingdom. Below are some links to sites that tell how people all over the world are using it.
Sounded like wonder stuff!
Problem was, none of the shops around here had
ever heard of it and weren't interested in finding it for me, either.
So I emailed the company in Whales and Eddie & Jane Atherton couldn't have been nicer!
They sent me samples of their Epoxy Putty and it's actually better than the Epoxy Wood that I had been using.
Because it does you no good to hear about something wonderful unless you can buy it somewhere, I'm going to be offering it for sale right here.
I used to use two 3/4 oz packages of the Myro for a 16" doll in really bad shape that needed a lot of compo filling and replacement. Milliput comes in 4 oz packages which equals more than five packages of the Myro.
Milliput comes in three grades but the Super Fine White is the one I've used on the Scootles. I have samples of the other two grades and when I try them, if I see some advantage to using either of them instead of the White for some things, I'll be making that available as well.

It comes in two rolls. One is the adhesive and the other the hardener. You just cut off equal slices from each roll and knead them together with your fingers or blend in your palm with your thumb. Since both parts are white, it's hard to tell when they're completely mixed, so the makers of Milliput recommend kneading for five minutes.
Ready to use, it has the consistency of Sculpy, but it sticks to surfaces so you can fill surface pits, shallow or deep crazing or even complete splits in compo or hard plastic or porcelain. It takes about three hours to harden so you have plenty of time to work.
While it's soft, you can dampen your fingers and smooth it to match the surrounding surface.
Another thing it's great for is sculpting new fingers, toes, feet or even an entire part if your talented or have another on a different doll that you can use to make a mold.
It hardens like a rock and can be drilled, sanded, and even carved with a Dremmel tool.
I also used it to hold eye rockers in place inside the head.

On the doll above I broke off the loose compo and brushed Elmer's Glue sell into the cracks to keep more from getting loose and breaking out. Then I pushed the Milliput
under into the cracks to fill them and smoothed as much as possible. A few hours later I used a coarse grade sanding sponge and sanded off the ridges of the lifted compo.
I ignored any small holes that the sanding uncovered, and continued to sand with a medium grade sponge and finally a fine sponge.
Now it was time for painting. I used my air brush with oil base paint and with a very heavy spray, put on a coat that literally dripped off the head. I put the head on a cup so the face was up and let it dry for a couple of days.
Once the paint was dry, the imperfections were much more visible but a lot of them were filled in. So I sanded again. The chin was still not built up enough and was showing
a ridge where the old compo had not been pealed away.
I took a small piece of Milliput and this time built us his chin
and smoothed it into the ridge. For any small dents or holes, I stuck some Milliput to my
finger and dipping it in water, slathered it across the holes and ridges.
I wouldn't have been able to do this before painting without exposing the compo core to moisture and this is not
a good idea. A few hours later I sanded again and the next day, painted normally with the airbrush.
Then I painted with the air brush and used a fine sanding sponge between coats.
After about ten coats of paint, I hung the pieces to dry completely
for about a week. For a final sanding, I buffed with 0000 steel wool. I wiped off the surface with a soft cloth and finally it was time to paint the features.
I used the "Before" photo for reference. The hair is painted from the air brush. Be careful to go lightly and blend stopping short of the hair line. There should be no hard line of hair color. Nothing looks worse and it just screams "repaint!".
To paint features I use I water based colored inks and the best brushes I can find. Sable are hard to come by but there's nothing better. When you're trying to control a line, you want a brush that comes to a fine point with no stray bristles sticking out to complicate matters. It also has to be thick enough to hold enough paint to complete several lines. I use a plate to draw lines with the brush until I get one thin enough to try it on the doll. A point and drag motion works for me when it comes to those tiny lashes and brows. The reason I use water based inks is that if I make a mistake, I can wipe it off and start over. For the Scootles, there were several places when painting the eyes that there was a possibility for the paints to run into each other. So I painted the whites and then sprayed with clear varnish. WHen it was dry, I painted the blue and the mouth and again, hit it with the varnish. Then the black center of the eye and the lashes. Then more varnish. Then the white dots on the blue and the blush. For blush, I actually use makeup blush (a good brand with no sparkles) and a big brush. Load the brush and push it into the surface while holding the bristles. When it's the right amount, once again, use the varnish over the entire piecs.
The head is the hardest because of the details, but the process is the same for the rest of the body.
Hard plastic won't have craze lines, but it can have cracks or broken fingers or if you want to do eye repair, it's easiest if you open the head along the seam. How do you get it back together again? Milliput, of course!
Milliput has some nice properties.
It doesn't shrink as it hardens so the shape you sculpt is what becomes like stone.
It doesn't pull away from hard surfaces so it's wonderful for filling.
It's very fine so it can be pushed into craze lines and under cracked surface paint and keeps cracks from going further because it bonds with both the surface and the lifting paint. Once it's hard, it is waterproof, so moisture isn't the threat it is to compo, although it bonds and blends with the surface flawlessly.
Below are some links to sights showing how it's used for all sort of projects and repairs.
Now I'll be showing it often on the Hospital Page!
Milliput's Home Page
New Zeland Distributor
Milliput Man!
Bradshaw & Whelan Restoration & Conservation
Ricky Swallow
David Drage
....and there are hundreds more out there!
My first shipment should be arriving soon!
The price is $16 for the 4 oz package plus $4.60 Priority Mail shipping and insurance within the continental United States.
Pay Pal is great for orders or you can order directly from Michele Otey through email with the form below.